The Presentation of Trauma in Museums: The Museum of the Occupation of Latvia and the National Museum of Qatar as Case Studies

Abstract

This paper attempts to explore the theme of Trauma and its representation in the Contemporary World; in particular, the logic and argumentation of hav-ing museums presenting the sorrow side to people the “trauma”, is unfolded with the rationale of comparison of two cases the Museum of the Occupation of Latvia (MOL) and the National Museum of Qatar mainly dealing with the emerging message of new Qatar National Trauma Museum. The current po-litical incident came to proof the necessity to remind people about historical events and their link to the recent incidents. The museums as a contact zone provide public lessons from the past that is a creative and stored memory. The analysis of the concept of trauma touches on questions such as why Lat-via and Qatar need such Trauma Museums, how this museum builds the traumatic narrative and discusses the potential effect on the local people. The aims of this comparison focus on the value of safeguarding of the nation through remembrance and that although museums presenting trauma may seek to educate and evoke pride in visitors for fellow residents, the main task is to avert the recurrence of what led to the trauma, which could be blockade, war or occupation that cut aggressors loose. The methodological tool of the theme follows properly designed exhibitions and making use of new technol-ogies, by contextualizing museum exhibits and practices as made by both Latvia and Qatar on the basis of national identity triggered from the past atrocities, on a holistic approach. This includes, especially, the social effects and movement associated with the blockade in Qatar and the War with Na-zi-Russian occupation for Latvia, viewed as the development of presentation of traumatic memories that addresses and understands the interrelationships between politics and culture, political culture and cultural politics.