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AuthorKhan, Yasser Shams
Available date2022-05-19T06:01:23Z
Publication Date2022
Publication NameStudies in Romanticism
Identifierhttp://dx.doi.org/10.1353/srm.2022.0008
CitationKhan, Yasser Shams. "Theorizing the Performance of Blackness: Relations, Processes, and Possibilities." Studies in Romanticism, vol. 61 no. 1, 2022, p. 91-99. Project MUSE, doi:10.1353/srm.2022.0008.
ISSN0039-3762
URIhttp://hdl.handle.net/10576/31059
AbstractThrough a summation of representative critical works that challenge us to think of new ways of imagining performing bodies and racial performance, this essay gestures towards a process-oriented approach for theorizing the performance of blackness. The essay argues that understanding performance-as-relation and performance-as-process allows us not only to extend our conception of performance to capture traces of its more evanescent elements in material objects and immaterial behaviors, but also to bring together new forms of historical evidence to give weight to our analyses of the performance of blackness across time and space, opening new avenues for a liberatory critique.
Languageen
PublisherJohns Hopkins University Press
SubjectPerformance
Race
Theater
Theory
Romanticism
Intertheatricality
TitleTheorizing the Performance of Blackness: Relations, Processes, and Possibilities
TypeArticle
Pagination91-99
Issue Number1
Volume Number61
ESSN2330-118X
dc.accessType Full Text


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